One of the coolest things that NBS offers is their Geo Reports, which create a nifty little heat map showing how an artist performs in various markets around the world. If you’re planning on touring soon or wondering where to focus your Facebook ads, this is a great place to start — to be sure you’re targeting areas with the most potential.
If it weren’t for this music video (directed by Mark Kohr), there probably wouldn’t have been the success of the Offspring, Sum 41, or Blink-182. It encouraged a slew of youngsters to go out and get Fender Stratocasters (or knock-offs) and cover the darn thing with stickers. If it weren’t for Green Day, I probably wouldn’t have done the same thing as a young guitar player.
If you’re an electronically trained home producer, you might not have a lot of experience writing lyrics — perhaps you’re more used to working with outside lyricists, singers, and topline melody writers. But in my online course, Songwriting for Producers, I’ve set out to give you the tools and strategies you need to become a profession, all-in-one producer, capable of churning out mega-hits without relying on collaboration to get you that extra mile.
Check out Charles’ newly launched sample pack, “The Luv Pack, Vol. 1,” here. Soundfly’s The Art of Hip-Hop Production also comes with two months of free access to Splice, so don’t miss out on combining the course learning materials, 1-on-1 mentorship with a pro, and access to a ton of crazy cool samples. Preview the course here.
As I mentioned before, streaming services ingest about 20,000 new songs every single day, and the classification of those songs is still a manual process. We can accurately classify all songs before they are ingested into a music catalog so that they can be part of the recommendation and discovery algorithms immediately. More importantly, we can identify duplicate songs, erroneous artist profiles, and many other things.
All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Whether you’re interested in taking a deep deep into production-related topics like Beat Making in Ableton Live, Making Music in Logic Pro X, or the newly launched Art of Hip-Hop Production, or just want to work with a Mentor directly on a personal project, we can help you reach your musical goals!
Farina and Farina Alto serve food you can eat and music you can bob your head to. Though gourmet brick oven pizza may not be a novel concept, Farina executes it flawlessly. Enjoy a bianca pizza and homemade piñon-laced meatballs any night of the week here, while listening to your favorite Radiohead song or classical concerto from Chopin. This place is open until 10pm most nights (which is “late” in NM), so when you’re looking for tunes and a great late night snack, Farina’s is a godsend.
This more complex view of phase interaction is more applicable to the real-world scenarios we encounter as musicians and producers. You might be struggling to record a drum kit with multiple mics and losing that precious oomph in the process. Your studio monitors could start sounding a bit odd, because each side is interfering destructively with the other while their sound travels through the air. You may find that a certain parallel processing hack or sample replacement makes your sound thinner rather than awesome-er.
Before your audience hears a single one of your notes, they’ll make a series of judgements about you based on your optics. From album covers to the typeface used in your tracklist, and from your band photos to what you wear on stage, people can’t help making certain assumptions about your band when they first discover you (and likely continue discovering you).
All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Share your goals with us and we’ll find a course for you, or create a custom mentorship session with a pro musician, engineer, educator, or music industry veteran, to help you achieve them.
As one commenter pointed out, though, “Clair de Lune” is in 9/8, so of course it’s going to sound strange over a 4/4 beat. However, for me, the 4/4 beat actually makes it sound less strange. I find 9/8 totally unnatural; I can count it deliberately but I haven’t internalized it intuitively. On the other hand, groups of triplets over 4/4 is a common sound in the African-descended American music, and I can feel it just fine.
Chip It Challenge judge, glomag made a beautiful and impressive Game Boy-and-guitar version of Ennio Morricone’s epic spaghetti western score from The Good, the Bad and the Ugly.
Mentor: Raven Katz