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Imagine for a moment the Library of Congress. It’s the largest collection of books and documents in the world, all perfectly categorized. Imagine, one morning, a group of people go into the library and spend all day moving thousands of books and documents around, swapping or removing the labels. Chaos!
You’re also going to need a delay, one way or the other. When it comes to delay pedals, there is analog modulation and digital modulation. Many people automatically point to analog delays to say they are better than digital, but it’s always a question of taste, and most guitarists out there exploring expansive sound palettes will have both on their board. Analog delays sound more like a tape machine; their echoing tone changes the pitch a bit up or down and it’s darker fading out then a digital delay. The latter sounds more like an exact copy of the inserted signal that fades away. If you are a guitarist who likes to tap the delay time with your feet, this will affect your pedal choice as well.
My wife and I had moved to Nashville and were just starting the process of buying a house. We talked to several lenders to get pre-approval (my understanding was that it made the process go smoother), and every conversation went something like this.
When I first discovered there was such a thing as “Music For Dogs,” I was kind of shocked I hadn’t come across it sooner. I mean, there is now music and playlists to accompany everything, so of course there’d be one for our favorite four-legged fur-balls (sorry cat lovers). Well, Mr. Puppy was in for a treat because over the next week I’d go on to try an array of made-for-dogs style playlists.
A lot of the time, the student has no particular goal beyond “do this assignment.” So then the critique needs to get creative. I like to ask: If this track is a film or game score, what’s happening in the scene? Students have a lot of implicit knowledge in this area from their own media consumption, so I get wonderfully specific and unexpected answers to this, i.e., “It’s a bar fight in a domed underwater city.” Then we can figure out, how could the track more strongly convey the feeling of a bar fight in a domed underwater city?
Let’s get a little more serious now. Finnish composer Kaveli Aho’s concerto for solo theremin and chamber orchestra (recording released in 2014, piece written a few years earlier), performed here by theremin all-star Carolina Eyck is an eight-part homage to Lapland, the most northerly region of Finland. Based on the eight-season division of the year, which is traditional for Lapland’s native Sami people, this work is dense with expressionistic harmony and icy, shimmering textures. It’s great, too, to hear the theremin being explored in all its range — often we only hear the middle and higher registers. In this piece, there are moments when the theremin takes on the sounds of other instruments, like the Chinese erhu or the viola, but also moments when it flutters like a bird. This piece is a real treat and a welcome introduction to the expansive oeuvre of Kaveli Aho.
Word quickly spread about Takeo Ischi and he became known as the “Japanese yodeler” (“Der japanische Jodler”). Not a creative name, but you get the point. He returned to Japan, met a nice girl and proposed to her by, you guessed it, yodeling. They married and had five kids while Ischi solidified his role as one of the world’s most preeminent yodelers. He’s largely credited with bringing the culture of yodeling to Japan, at least modestly. That pretty much brings us up to speed.
At a time where we have access to all this music, the experience should be amazing. Genres play a big part in that. Identifying what genre each individual song belongs to helps us identify songs with a similar “vibe.” Today, classification of songs is still a manual process. With 20,000 new songs being added to streaming services every day, it’s a very big problem that’s only getting bigger.
Need help on a project, or buying a new piece of gear, or even deciphering your favorite band’s lyrics? Forums are where people go to help one another.
All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Share your goals with us and we’ll find a course for you, or create a custom mentorship session with a pro musician, engineer, educator, or music industry veteran, to help you achieve them.
This course is for producers and DAW users who have no trouble generating ideas, but tend to veer off track and spend all their creative energy on the production, leaving the actual song behind too early in the process. It’s also for any non-professional songwriters (musicians, composers, synthesists) who produce music at home, but lack structure in their process. The course is genre-agnostic, but is best suited for those who lean heavily on their computer to make music.
The piece is constructed as a linear entity, with an introduction and conclusion that share the use of natural harmonics in the piano. The keys two octaves below the notes in Bar 3 are pressed but only sound out by sympathetic resonance, after the sforzatissimo in the upper part (0:13 into the video). Ligeti uses sub-harmonics in the first part and both lower and upper harmonics at the end of the piece.