This remarkable music video features an exceptionally talented young female dancer named Maddie Ziegler. Her stellar performance is both hypnotic and mesmerizing. (We love escalating dance performances in music videos — we did a whole thing on it.) The song itself conveys Sia’s struggles with alcohol and drug addiction, and Ziegler’s wild dancing is a striking visual depiction of that mixed with the guilt and pain that follows. She violently jumps and throws herself around the empty room with constantly changing expressions of anger, pain, confusion, excitement, and sadness. The room itself is empty and represents a mind that is distressed and sadly neglected.
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“To B, or not to B.” That is… not a question this year, because none of our songs were in the key of B! It was E♭— minor, specifically — that was our huge winner this year (black keys on the piano in general, really), with low showings for the keys of D and E, once again proving that nobody writes Top 40 pop songs on their guitars anymore.
Song Facts is an excellent blog to get inspiration from — its focus is around interviews of writers that many of us pros look up to, talking about songs they’ve written, and often through a historical lens.
It’s like how they say “we eat with our eyes first” when we go to restaurants — presentation matters. Some bands and musicians feel that this can cheapen their music, or they don’t like “playing those games.” I call those people naïve.
The first two lines are matched with the same repeated musical phrase and end rhyme, and the second two lines have a new rhyme and a new melodic phrase.
Explore Soundfly’s wide array of free online courses and expand your musical skills over your lunch break! Here’s just a few free courses you can choose from: Music Theory for Bedroom Producers, Touring on a Shoestring, How to Get All the Royalties You Never Knew Existed, and our partnered course with Bandzoogle, How to Create a Killer Musician Website.
Not all of us have access to the kind of gear that the Boards are rocking. As usual though, we can find some good digital approximations on the internet. One of my absolute favourites is James Peck’s VHS Audio Degradation Suite. It provides emulations (with optional speaker simulation) of old video tape audio playback, based on machines in various states of disrepair. If anything digital is going to get you even close to Boards of Canada’s bevy of broken-down gear, this is it. While it’s free, it only works through Native Instruments’ paid Reaktor 6 soft synth platform. If you don’t already have that, you can try it out for 30 days.
Don’t make the mistake of running a crowdfunding campaign with little or no planning. Take the time to put these 6 things in place, and you’ll succeed.
Stay focused on bringing gear into your workflow that gives a sense of satisfaction to use. It’s not just about tone. It’s about the connection you have with your equipment!
But perhaps the most commonly popularized use of the horizontal hemiola pattern is found in Leonard Bernstein’s “America” from his brilliant West Side Story musical. The following Latin-music-inspired motif is so clearly supplanted as the foundation of this song’s structure, it’s almost impossible to hear the horizontal hemiola without thinking of it. Here, the effect of modulating between duple and triple meter feels particularly strong.
If you’re a part-time musician, you know the struggle. You want to make music, but you run out of time in a day. Or you lose heart. Or your music time is not as efficient as you want it to be. Every day, it’s an uphill battle of sticking with it, being productive, and not losing your mind.
With all of Logic’s inredible instruments, producers often rely on the sound of the samples right out of the box, here’s how to make them more interesting.