Chamber music america membership, Funding for artists - January 15, 2020

National endowment for the arts film grants

Think of a narrative like a story you might read in a book. It should let people into your world and show your vulnerable and emotional side. People have been telling stories since the beginning of civilization. It’s how we learned to communicate and create culture, and being able to describe your story in a relatable way that fans can really latch onto is almost as important as being able to describe your music.

The thing about Top 40 music is that it has to be easily digestible to be successful. Usually, it can’t be anything too complex — simple, singable melodies, accompanied by very logical chord changes. As it turns out, this makes pop a great place to start learning about theory and expand your harmonic knowledge.

Tyrell N6 is an emulation of the famous Roland Juno 60 polyphonic synthesizer. It features two oscillators, a noise oscillator, a ring modulation, and over 500 presets to choose from. The Tyrell N6 synth comes with chorus, overdrive, and filter feedback on board. This synth also has an oscillator drift feature that emulates the original Roland Juno 60 for a very authentic sound.

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When you establish a color scheme strongly, it becomes even easier to then subvert it and supplant a freshness into your look. White’s video for his solo song “Freedom at 21” exemplifies this perfectly. Here, he puts a ton of emphasis on the neon green of his sports car and the bright pink of the policewoman’s lipstick; the colors feel as though they’re going to jump off the screen at any moment.

We’ve already covered this with ascending intervals, so let’s look at how to identify descending intervals using popular songs and melodies. Wherever possible, we’ve offered more than one example, in case you’re not familiar with the first. Ready?

New wave and post-punk era bassists did a lot of single-note chugging on root notes of chords. No offense to them; it’s what the music called for. As a consequence, bass players in those genres, like Peter Hook, Adam Clayton, and John Taylor, tend to be pretty underrated. But those minimalist bass parts actually did allow room for some subtle fill-ins to really stick out.

This piece also makes use of other “unusual” concert instruments, such as the waterphone, the daxaphone, the log drum, Hapi drum, Ufo drum, and more to convey a sense of music as an alien and unearthly being in and of itself.

Since house concerts are, well, in houses, the expectations set at these events are inherently quite different from those at traditional venues. While the practice of audience members getting shmammered at venue shows has become accepted and even expected, the rules are different at house concerts. These concerts are more intimate, more focused on the music — they’re likely to be quieter and the connections between the artist and audience are therefore stronger. House concerts typically won’t feature a loud, drunk, and rowdy crowd, and you won’t need to unstick your shoes from any PBR-soaked floors, either.

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In the long run, the subtle ways you develop your brand, your image, and your story have a huge effect on the success you can achieve in your career. The way you tell your story as an artist will allow you to relate to fans on a deeper level. And on top of that, it serves as a differentiator. Undoubtedly there are a lot of musicians and bands out there who create music similar to yours, but a story or narrative allows you to go beyond the music and stand out.

His itemized list of what each class receives helps build anticipation and a deep connection with the project, even in its infancy. A great project with great implementation.

Key-wise, I feel like there’s almost too much tonal information for everyone to hear it the same. If it was just up to the melody, I’d say hands down G major because the melody starts and ends on G the majority of the time (where has that pun been all my life?). However, there’s a clear E in the bass under the G at certain cadence points, making for a v chord (Em11) leading us back to Am, which comes on the strong beat. These are two good reasons to hear it in A Dorian.

But Mitski (she’s much more impressive than Sum 41, not sorry) has a voice and quality in her music that feels super cathartic — it’s like she’s reading from your diary and releasing your demons for you. She’s also Asian-American, and I grew up with zero Asian-American musicians to look up to.

The main takeaway here is that you don’t have to follow a typical form if you don’t want to! There’s so much great through-composed music, and sometimes, it can be really freeing to embrace this kind of writing.

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